Title: Disappear
Fandom: Battlestar Galactica 2003
Category: Starbuck,
Apollo, Boomer (no pairings - but shades of Kara/ Sharon and Kara/ Lee if you
like)
Rating: PG-13
Spoilers: Vaguely
season two but set before "Lay Down Your Burdens"
Summary: "History
tells you how many times you've frakked up before, and how many times you will
again."
With Thanks: to the
beta-tastic efforts of Projectjulie and Rustler who deserve the spoils, the
glory and the acclaim. I’m just here for the fruit baskets.
*
Kara likes the bars, the way the
locals spend their evenings in dull-lit corners, sharing a meal or a drink, or
sitting alone, as she is, reading, thinking, remembering. These warm places
welcome the stranger with large glasses of ale, simple meals and low music, and
televisions sets perpetually tuned to sports. She feels at home here, one of
the crowd.
Kara
has a seat by the window, overlooking the river. There's a dark, empty
promenade outside. It's mid-winter and not even the tourists are brave enough
to stroll the embankment in this weather. Kara likes this city. The people keep
to themselves, the trains take her anywhere she wants to be, and the pub serves
stuffed pigskin atop mashed vegetable, which the locals wash down with an ale
that tastes bitter and sweet at the same time.
She could lose herself here, never be heard from again.
She's
reading a newspaper, contemplating the similarities and the differences between
this world and hers. There’s a story about an earthquake in a poverty stricken
land, miles away from here. Two thousand people dead and it’s buried on page
six, like it’s not news at all. Caprica had its homeless and its poor, but
there are parts of this world where the population is dying in waves.
Roslin
is appalled. The Admiral is concerned. Lee, like many of the fleet, avoids
being planetside out of fear the chaos is contagious. Kara thinks it's a mess
but then there's snow in the mountains to the North and big open lakes that
stretch to the horizon. She’s been to places where the people are packed in so
tight she couldn’t move without crashing into another person. Days later she’d
find herself camping in a desert, not a soul around for miles. In one day she
stood in the middle of a large city, looking up at impossibly tall buildings,
and by the evening she was in the countryside where people lived in huts.
No
uniformity. No central government. No Cylons.
"It's
not what you expected, is it?"
Kara
looks up from her newspaper and there's Sharon, sitting on the other side of
the table, dressed like a local in the blue canvas pants and running shoes they
all wear.
"No
one expected this," Kara says. "Unless the Cylons had inside
information."
"I
didn't expect it, either," Sharon says. "I don't know what I
expected. Something like Caprica, maybe?"
Kara
swigs a mouthful of beer. "Why are you here?"
"I'm
following you."
Kara
laughs. "That's frakking obvious," she says. " But why now?
Haven’t seen you since that place with the little toys."
"Tokyo," Sharon says.
"Yeah,
Toke-yo," Kara says. "Frakking crazy city. All those people like rats
in a maze. I’m not wild about raw fish, either."
"Some
people would call that a rich cultural life," Sharon says. "But not
you, Kara Thrace - your idea of entertainment is a fist fight in the officers'
bar."
Kara looks at the newspaper. A photograph of a woman with large breasts is
wedged between an article about a racing car driver and a list of fuel prices.
"What the frak would you know about culture? You're a frakking
Cylon."
Sharon
presses her lips together like she’s holding back tears. Sharon was always kind
of sensitive. Kara liked that about her. Sharon didn't fake machismo like the
other pilots, like Kara.
Frakking
Cylons. Sharon Valerii is a work of art. They should be proud.
"Did
you wonder what it was like," Sharon says. "Finding out your whole
life is a lie?"
Kara
looks at her beer. Half empty or half full? "I didn't believe you,"
she says. “Her,” she corrects herself. “How could she not know?”
Sharon
shrugs. "Maybe she knew?" she says. "In hindsight, she
might have said she knew. Everything is clearer in retrospect."
"That's not very comforting."
"You're not a Cylon, Starbuck."
"I
know."
"I
mean, you think about it - everyone does - but you're not."
Kara
takes a long look at Sharon. Sharon adjusts her scarf, raises her eyebrows.
"That's
not very comforting, either," Kara says. She finishes her beer. "I'm
getting another," she says.
When
she returns, Sharon is leaning back in her chair, like she's just getting
comfortable. "I always wondered," she says. "Why didn't you frak
me?"
Kara
takes a swig from her beer, licks the foam from her upper lip. "What the
frak are you talking about?"
"Come
on, Starbuck.” Sharon says. "You were a busy girl on Galactica. And I know
you like me, so what was it? The Chief?"
Kara
considers her beer. Her head feels heavy and she’s probably drunk. Drunk is
normal these days. "Maybe I didn’t want to frak you," she says.
"Have you thought about that?"
Sharon
thinks about it. She grins. "Nah," she says. "You wanted
me."
Kara
laughs. "Yeah, right. The Chief, Helo – I think even the Commander had a
little crush on you. You're the Cylon god's gift to mankind."
"Starbuck,"
Sharon says, suddenly serious. "Why am I here?"
Kara
shrugs. "Frak knows," she says. "I don't even know why I'm
here."
*
Kara
has a room in a hostel not far from the river. She walks home through dark,
stone streets, the paving laid hundreds of years ago. The city has a penchant
for unearthing its ruins. In this area the brickwork of an old theatre juts out
of the parking lot of a newly built set of townhouses. The theatre is
significant, so there's a sign for tourists and a plaque. Caprica City kept its
artefactsin
museums, protected against the elements. She once visited ruins on Tauron on a
tour of duty during the miners' riots. The riots were a small affair so they
spent their time sightseeing and soaking up local fare. Zak liked old things;
he liked marking time, the significance of having come forward. Kara was
dismissive. History tells you how many times you've frakked up before, and how
many times you will again.
Only
drunks and thugs are out on the streets tonight. Even the homeless have found
corners to hide in, shielded from the cold. Kara pulls her collar up and tucks
her chin into her scarf. She's wearing her flight jacket because it's warmer
than anything she can afford in this town. She wears her combat pants too,
because it's a fashion for civilians to look like soldiers on this world. She
dresses like a pilot and fits right in.
She
cuts down a side street, passes one of those beverage places that bears her
name. They're everywhere she goes. Sometimes it's a sign, a reason to be here.
Sometimes it’s just plain freaky.
It's
quiet enough for her to notice footsteps. Sharon's there, of course, but it's
not her. It's someone else, someone heavier. Kara keeps walking, changes
direction suddenly. She could be being followed or it could be her military
instinct making her paranoid. This world has mostly ignored her but it’s an
unpredictable place. And not everyone here is of this world.
The
footsteps change direction too. Kara steps into an alley and backs against the
wall.
Sharon
backs against the wall too. "What's going on?" she says.
Kara holds up a finger to her lips. "Shhh," she says.
The
footsteps get close. They round the corner and Kara springs forward, puts her
hand at the throat of her pursuer and pins him against the wall.
"Frak!"
he says.
“Lee!”
Frakking Lee. He was always lousy at covert operations. "What the frak are
you doing?"
He's
breathing heavy. They both are.
"You
never frakked him either," Sharon says.
"Shut
up.”
"Everyone
thought you did, but you didn't," Sharon says.
Kara
glares at her. Lee frowns, looks confused. "Kara...?"
She
lets him go. "You were following me."
He
looks at the ground. "I didn't want you to run."
"Run?"
Kara frowns. "From you?"
"You're
AWOL, Kara," he says. "Nothing you do surprises me anymore."
Kara
takes a cigarello from her pocket and lights up. She keeps miniatures on her at
all times. Cigarettes are for addicts. "Okay," she says. "So how
did you find me?"
"He knows you," Sharon says. Kara ignores her.
"It
wasn't easy," he says. "I've been searching for months."
"What gave it away?"
Lee
grins, points at the sign above them. "It's got your name on it."
Kara
looks up at the Starbuck's mermaid. "Frak you, Lee, those things are
everywhere."
"I'd
like to say I had divine inspiration," Lee says. "But it was a lot of
fast talking and a lot more leg-work. And I remembered how much you liked the river
district on Picon. Zak hated it, but you said you could live there."
Kara
remembers Zak never liked decay. He found it tragic. She takes a puff of her
cigar. "Let's get out of here," she says.
They
go back to her room, sit on the floor passing a bottle of rye whisky between
them. It's 80-proof and it warms her from the inside. The room has a barely
functional heater that gradually raises the temperature, but it's the whisky
that's having the real effect.
"The
old man send you?" Kara asks.
Lee nods. "And Roslin. We need you back, Kara. We need our best pilots.
This world's not ready for a Cylon attack. We're its only defence."
"This
world isn't ready for us," Kara says. "Isn't that why we’re hiding in
the next system?”
"You
were in the room when we voted to cover up," Lee says. "You didn't
object."
"I'm
not objecting now," she says. "I frakking found the place - I knew
what kind of damage we could do."
"It's
arrogant, don’t you think?" Lee rubs his forehead with the heel of his
palm. He looks older - far older than he should be. He's
changing into his father. "Taking this world for yourself and denying
it to everyone else."
Kara
takes a long swig from the bottle. "Finder's rights," she said.
"You know - the fleet has a rule that if a pilot discovers a
planet or a moon during a mission she can name it after herself."
Lee
laughs, only it sounds like a hiccough. He's drunk - always was a cheap date.
"You didn't find Earth, Kara, the thirteenth colony was here long before
you."
Kara
passes Lee the bottle, she leans her head back against the wall, chin jutting
out. "Someone has to be here," she says. "Someone has
to..." She looks at the ceiling. There's a water stain on the
roof. Reassuring to think that cheap housing is the same across
galaxies. "They could be here, you know."
He
doesn't ask who she's talking about. "Maybe," Lee says. "It's
been a year - how far could they have gone?"
"I
dream about them sometimes," Kara says. On the bed opposite, Sharon
reclines, leaning on her hand. She looks at Kara curiously.
"It
wasn't your fault," Lee says. He's said it before. It doesn't help.
"I
believed her." Kara closes her eyes and sees Sharon's face contorted in
pain, pleading, Starbuck. Help me...
"No,
you didn't," Sharon says.
"It's
okay," Lee says. "If it were you - if it were Dee - I would have
done the same thing. You look at them and they look so real."
"You
knew what you were doing," Sharon says.
"They're
real, Lee," Kara says. "They feel pain, they breathe, they
bleed."
"We
cry," Sharon says.
"I
know," Lee says, nodding. "They were designed to be just like us. You
look at them and it's easy to forget what they're capable of."
Lee
thinks she's a soft touch. She never used to let him get away with thinking
less of her. Everything is different now. She takes the bottle back, takes
another swig. "How's Roslin?"
Lee
shrugs. "She's fine. Back to campaigning."
"I
worry about her."
"You shouldn't," Lee says. He takes the bottle from Kara and drinks.
"She'll survive us all."
"She's
not as tough as she makes out," Kara says. She looks up at the window.
Outside, neon shines an unearthly green and red glow across the building
adjacent. "She never expected this."
"Maybe
not," Lee says. "But you'd never guess. She rallies fast."
"And Dee?"
He shrugs, takes another swig from bottle. "Same as ever. Still the moral
conscience of the fleet."
"You never liked her," Sharon says.
It's true. Kara hates anyone with a holier than thou
attitude, makes her feel like she's being judged. "Good old
Dualla," Kara says. "Still raising hell."
Lee hands the bottle to Kara. "We're getting
married," he says.
Kara chokes. Whisky comes out of her nose, burning her
sinuses. "No frakking way," she says when she's recovered.
"I was hoping to tell you when things were back to
normal." He holds up his hands. "Whatever normal is."
"Is she pregnant?"
"No," Lee says. "We're not ready for kids
yet."
"Huh." Kara drinks, takes it slow this time.
"Jealous?" Sharon says.
"Shut up," Kara says.
"What?" Lee says.
Kara grins sheepishly. "Talking to myself."
"I know what you're thinking," Lee says. "You
think I'm compromising."
"He is," Sharon says.
"I don't think that," Kara says.
"Liar," Sharon says.
"Frak you," Kara says.
"Kara?" Lee looks at her like she's going insane.
Maybe she is?
Kara looks at the floor. Her mother used to say that if
you’re going to frak up, you should frak up better than anyone else. Maybe
that’s why Kara’s the best frak-up she knows?
"She's in my head, Lee," Kara says. It's out before she can
stop herself.
"What?" Lee looks around, like he's expecting to
see someone. Sharon lifts her head, suddenly interested. "Who's in your
head?"
"Sharon," Kara says. She looks at Sharon, looks right into her brown
eyes. "She talks to me, I talk to her. It's like she's here. It's
like..." Kara holds out a hand toward Sharon. "Like I can reach out
and touch her."
"Kara, what the frak is going on?" Lee edges away from her.
Kara grabs his wrist. "Don't you get it, Lee? I can't go back. Not like
this. They'll treat me like I'm crazy. They'll shut me away like I'm a frakking
Cylon infiltrator."
Lee looks scared, like he doesn't know whether to talk to
her or get the hell out of there before Kara does something maniacal on him. He
looks down at where she's gripping his arm, covers her hand with his.
"Kara, you're just - you've been here too long," he says.
"You're exhausted."
"I see her, Lee. Plain as day."
He shakes his head. "No," he says. "You're
drunk. You're..."
Kara puts her hand to his chin, holds him in place. "Lee - I
can't go back." Lee meets her eyes, looks like he might cry. For a
moment she's actually sorry.
The moment is gone. She balls her free hand into a
fist, raises it before Lee can react and punches him in the side of the face,
sending him flying backwards.
She doesn't wait to see if he’s conscious. She grabs her
flight jacket, her bag, the bottle, and runs. She runs into the street, doesn't
turn around to see if he's following. She keeps running, away from the river,
away from bar and the coffee house bearing her name, away from Lee. She runs
until she doesn't recognise the buildings.
And then she walks.
Her heart pounds in her ears. She counts her breath: in
one-two-three-four, out one-two-free-four, until her breathing is slowed,
regular. She doesn’t know how far she’s come.
Her bag is light, just a t-shirt, a fresh set of underwear
and a toothbrush. She wishes she had time to frisk Lee for money, but she can't
be sure she knocked him out. Lee's taken a lot harder punches.
"You've slowed him down," Sharon says. "You
haven't stopped him." She walks alongside Kara, like she's been keeping up
all this time.
"He knows when to leave well enough alone,” Kara says.
“Not this time,” Sharon says.
“For frak’s sake.” Kara throws up her hands. “What the frak
do you know? You’re not even real.”
”You’re not crazy.”
”Sure I am.”
”You’re the sanest crazy person you know. It scares you.”
Kara takes shelter in the doorway of a restaurant, puts her hands
on her knees and lowers herself to the ground, back against the wall. “As long
as I’ve got you in my head, I’m certifiable,” she says. “I’m not wild about the
idea but there it is.”
Sharon leans against the wall opposite. “You don’t believe
that.”
“Cylons,”
Kara says, shaking her head. “You know what your problem is? You think humans
are simple. You think we know right from wrong, bad from good. You think we can
draw a line between the sane and insane and everyone will fall neatly on either
side. It doesn’t frakking work like that.”
“How does it work?” Sharon says, lowering herself to the
ground so she’s eye-level with Kara.
Kara takes a cigarello from her pocket and lights it. It’s
her last one and she’s running out of money fast. She’ll need to find work soon
if she stays. “Maybe you’re not real,” Kara says. “Maybe I invented you because
I frakked up and let Helo take you away. Maybe I feel guilty about the way we
treated you – the way I treated you.” She puffs on the cigar, thinks for
a moment. “Maybe you did something to me when you knocked me out, planted
something in my head. Maybe…” She looks across the street. It’s dark. Even the
neon goes out after midnight in this town. “Maybe I’m a Cylon.”
“Maybe you are,” Sharon says. She looks at Kara,
expressionless. “Or maybe you just like it here,” she says. “Maybe here you can
forget about them: Anders, Zak, Lee, Cain, me… Maybe here you can just –
disappear.”
“No.” Kara shakes her head. “I would never abandon
them.”
“Then prove it,” Sharon says. “Go home, Kara. This world was
never meant for you.”
Kara looks at the sky. No stars tonight. “What about you and Helo?” She says. “The
other you?”
Sharon smiles and her eyes glisten, shining like glass. For
a moment she’s ethereal, something Kara could never imagine. “It was meant for
them,” she says.
Kara doesn’t think about it, doesn’t want to think about
what it means. She finishes her cigar, swings her bag over her shoulder and
stands, brushing the sand and grit from her backside. She walks back toward the
river, towards the street where she found Lee, and hopes that somewhere out
there he’s already forgiven her.
End.